OMNIFFUSSOR와 함께 2차원적 분산재의 대표적인 제품입니다.
광대역에 걸쳐 최고의 평준화된 분산 효과를 나타내기 때문에
극장, 미디어룸, 방송국, 개인음악감상실, 홈시어터, 녹음스튜디오 등에 많이 사용됩니다.
난염성 수지 소재로 재작되었기 때문에 화재에 안전하며, 무게가 가겹고, 색상도 자유롭게 선택할 수 있습니다.
CONSOLE DEKS
SUB DESK
GOLDEN AGE PROJECT
VINTAGE MICROPHONE / OUTBOARD
빈티지 사운드의 고전.
부드러운 하이엔드와 연장된 로우즈로 음향엔지니어와 프로듀서들에게 리본 마이크의 매력적인 사운드 소스로 이끌어 줍니다.
AVID-Technology & tools
Pro-Tools System
DAW SYSTEM의 표준
Avid는 세계적인 디지털 오디오 및 비디오 기술 회사이며, Avid솔루션을 사용하여 유명한 영화, 비디오, 음악레코딩, 라이브콘서트, 뉴스방송을 제작 및 배포, 활용하고 있습니다.
PMC
LOUD SPEAKER
1991년 BBC의 피터 토마스와 FWOBauch의 AdrianLoader에 의해 설립.
영국에서 직접 설계하고 제작.
제품 성능의 가치를 보장합니다.
FC3
The FC 3 is a high quality dual capsule condenser microphone, inspired by classical microphone models. The FC 3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It´s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices.
FC 1 MKII
Condensor Microphone
The FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.
TC 1
Tube Condenser Microphone with Vaiable Polar Pattern and selecable PAD and Highpass filter
The TC 1 is one of our top products. It is a warm-sounding, large capsule tube condenser microphone. The TC 1 is a classic tube mic with selectable pad and highpass filter and nine different polar patterns for very little money.
The TC 1 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.
Golden Age Project
좋은 소리. 엄청난 가격
고전 작품에 사용되는 최고급 빈티지 장비에 저렴한 가격의 옵션을 제공합니다.
골든 에이지 프로젝트는 특별한 재료를 찾는 모든 사람들에게 적합한 고품질의 장비를 제공합니다.
MICROPHONE
광범위한 마이크 제품군은 사용자의 모든 요구 사항을 파악하고 있습니다. 콘덴서, 다이내믹 및 클래식 리본 마이크를 비롯한 다양한 제품을 제공합니다. 라이브 공연을 위한 마이크를 원하거나 고품질 스튜디오 녹음을 위한 마이크를 원하는 시기와 다양하고 저렴한 모델로 여러분의 목적에 맞는 마이크를 찾으실 수 있을 것입니다.
OUTBOARDS
21세기의 존경 받는 기술.
전설적인 빈티지 레코딩 장비에 대한 현대적인 시각을 제공하며, 풍성한 사운드를 재현하면서도 현대 제작에 적합한 현대적인 트위스트를 더해 줍니다.
COMP 54MKII
Vintage Style Compressor
A 230V power adaptor is included.
The only difference between MKI and the new MKII is that the MKII has an insert jack where you can insert one of our eq units.
The COMP-54 is a one-channel vintage style Compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer.
FC 4
Small Capsule Condensor Microphone with pad and Highpass filter
The FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity. The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crispness of your favorite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc.
FC 4 MC
Small Capsule Condensor Microphone with pad and Highpass filter
The FC 4 MC is a low cost, small multi-capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The three interchangable heads with 20 mm gold-sputtered diaphragms have cardioid, hyper-cardioid and omni-directional shaped polar patterns.
PRE 573 MKIII
the 500series rack version of the PRE-73 MKIII with some additional features
The PRE-573 MKIII is a one width module for the api 500 format that has the sound and the features that made the PRE-73 so successful and a few additional ones.
The circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the api rack format. It has a total gain range from -10 to +80 dB. The 20 – 70 dB range is handled by a turn switch and there is a separate toggle switch to select an additional 5 or 10 dB gain. The input can be configured to accept line level signals by another switch, the gain is then lowered by about 30 dB and the input impedance increased to about 10 kohm.
FC 4 ST
Matched pair small capsule condenser microphone with pad highpass filter
The FC 4 ST is a matched (within 1 dB) stereo pair of two FC 4 microphones. Specs below.
The FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity.
EQ 81 MKII
Vintage Style Equalizer
The class-AB equalizer circuit used in the EQ-81 MKII is similar to the eq section in the classic 1081 module, without the high and low pass filters.
The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.
R1 MKII
Passive Ribbon Microphone
The R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.
The R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications
R2 MKII
Passive Ribbon Microphone
The R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.
The R 2 MkII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.
